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Barbara Windsor Header
The young blonde actress looked about her bemusedly. The cold damp field didn’t look very Hollywood to her – even the mud had been painted green to look like grass and she was starting to sink slowly into it.

Although it was a bitterly cold February morning, all her co-actors were wearing nothing but bikinis and swimsuits and were being addressed by the director, Gerald Thomas, on the set of ‘Carry on Camping’.

Barbara Windsor in Carry on Camping

Barbara Windsor in Carry on Camping

‘Right love, we’ll attach some fishing line and a hook to your bra, and Bert, the props man will pull it off’

So with only Kenneth Williams and Hattie Jacques (and essential film crew) in front of her, a 32 year old Barbara Windsor created one of the most memorable comedy vignettes to have appeared in British film history.

Born Barbara Ann Deeks in August 1937 – in the London Hospital, in Whitechapel Road to parents John and Rose Deeks, Barbara’s family had both East End and Irish connections. Barbara’s paternal great-grandmother had fled from the terrible Irish potato famine and had settled in the East End, eventually finding employment as one of the infamous match girls.

Barbara Windsor was an only child, and her mother made no bones of the fact that she had been hoping for a boy. When John Deeks left to fight in the war, Barbara was evacuated to Blackpool.

Barbara was taken in by Florence and Ernest North, and Florence soon spotted some potential in young Barbara, writing a letter to Rose Deeks asking to be allowed to send her to Norbreck Dancing School with her own daughter Mary.

Once there, Barbara took to singing and dancing like a duck to water, and upon returning to London, her mother paid for elocution lessons and enrolled her in the Aida Foster Acting School in Golders Green. She made her stage debut at 13 and aged just 15 made her West End debut in the chorus of the musical ‘Love from Judy’, a role she continued for two years.

In 1954, aged 17, Barbara Windsor made her film debut in ‘The Belles of St Trinians’, before continuing her stage career with Joan Littlewood’s Theatre Workshop in Stratford East, performing in ‘Fings Ain’t Wot They Use To Be’ and Littlewood’s film, ‘Sparrers Can’t Sing’.

It is probably for her career in the immensely successful ‘Carry On’ series of films that Barbara Windsor became a star. She recalls in her autobiography ‘All of Me – My Extraordinary Life‘ that she had an argument with co-star Kenneth Williams in her first film, where he accused her of fluffing her lines. In a scene which required him to wear a beard, she drew herself to her full four feet ten and a half inches and shouted out “Don’t you yell at me with Fenella Fielding’s minge hair stuck round your chops, I won’t stand for it”.

Kenneth Williams was said to have clapped his hands together and grinned, saying ‘Haaaah – isn’t she wonderful?’ They became lifelong friends.

Barbara Windsor went on to make nine Carry On films, although she is so memorable many people think she actually appeared in a lot more.

Barbara Windsor with Ronnie Knight and Reggie Kray

Barbara Windsor with Ronnie Knight and Reggie Kray

Barbara’s off stage life was complicated as that on screen, with a string of affairs, a total of five abortions (three before she was 21) and three marriages. She lost her virginity at 18 to a ‘flash Arab’. Her affair with her Carry On co-star Sid James has been well documented and she was also romantically linked to Bee Gee Maurice Gibb.

Her first marriage was to small time crook Ronnie Knight, and through him, she became associated with the Krays, initially going out with the twins older brother Charlie (who she described as looking ‘a bit like Steve McQueen’), before sleeping with Reggie Kray. She later married Stephen Hollings, an actor, in 1986 before their divorce in 1995, and is now married to former actor Scott Mitchell.

Barbara Windsor cemented her East End credentials when in 1994, she appeared as Peggy Mitchell in the long running BBC soap opera ‘Eastenders’, admitting when she joined the soap that she had been a ‘scared little lady’.

Barbara Windsor as Peggy Mitchell

Barbara Windsor as Peggy Mitchell

She continued to play a major part in the show, winning the British Soap Award for Best Actress honour in 1999 until a tearful farewell on the 10th September 2010 (although she did make a small comeback for one episode in 2013).

Her awards didn’t finish there however, as she was made an MBE in the 2000 New Years Honours List, and went on to become Dame Commander of the Order of the British Empire in the 2016 New Years Honours.

In 2012, Barbara Windsor became patron of the Amy Winehouse Foundation, and in 2014 was awarded an honorary doctorate from the University of East London.

However, 2014 also found Barbara being diagnosed with Alzheimer’s disease, but it was not until May 2018 that her husband, Scott Harvey Mitchell revealed her condition to the public for the first time.

On her 82nd birthday in 2019, she and her husband became ambassadors for the Alzheimer’s Society, but the clock was already ticking.

Sadly, this pocket powerhouse, who brought so much joy to millions passed away with the disease at 8.35pm on 10th December 2020.

RIP Dame Barbara Windsor.

Brady Street Jewish Cemetery Title
If you had asked anyone in the East End where Brady Street Jewish Cemetery was in the late 1800s, they would have stared at you blankly. Unsurprising really, as the thoroughfare now known as Brady Street was then known as North Street, and some years before that, Ducking Pond Lane.

A short stroll away from bustling Whitechapel Tube Station, Brady Street is a nondescript aside off the Whitechapel Road, but behind a high brick wall on the western side of the road hides a quiet and calm cemetery – part of the strong Jewish influence that had come to dominate Spitalfields and the surrounding areas.

Yiddish signs were already an everyday sight in the Victorian East End – theatre posters and newspapers of the time carried the language and Jewish culture began to permeate the already ancient buildings. By the turn of the century, for example, there were 15 kosher butchers in Wentworth Street alone.

A number of smaller synagogues called ‘chevras’ had been built in the area and these provided welfare to the Jewish community as well as being a place of worship. It became obvious therefore, that the Jewish people in the area needed somewhere to bury their dead.

Old Map of Brady Street Cemetery

Map showing the ‘Jews Burial Ground’ in North Street

Brady Street Jewish Cemetery (It was marked as the much brasher ‘Jews Burial Ground’ in maps of the day) was originally leased by the New Synagogue at the end of May 1761 – The freehold transferring to them when they bought it in 1795.

When the cemetery became full in the 1790s, the decision was made to place a four foot layer of fresh earth over the central part of the site, creating a flat topped mound, called the ‘Strangers Ground’ which was used for subsequent burials. Because of the additional layer, the headstones are placed back to back to identify the ‘occupants’ of the graves.

Eventually, the site was given notice that burials should discontinue from the beginning of February 1856. The closure date was extended a number of times, but the cemetery eventually closed on 31st May 1858.

However, in 1980, the local council began proceeding to apply for a compulsory purchase order so the site could be redeveloped. As the law stands, any cemetery that has had no internments for 100 years can have its occupants removed and the land reclaimed for commercial use.

Victor Rothschild's Tomb

Victor Rothschild’s Tomb

In order to protect the cemetery from this fate, a one off internment took place in 1990; that of the third Baron, Nathaniel Mayer Victor Rothschild, who was buried by his ancestor Nathan Mayer Rothschild – founder of the British branch of the Rothschild banking dynasty. As a result of this action, the site cannot be developed until at least 2090.

Access to the cemetery is limited, but you can still see into one corner by peering through the ivy covered wrought iron gateway near its entrance.

Jack-the-Ripper-Mini-Series-1988-Header
One of the problems facing anyone wishing to make a film about the infamous serial killer, Jack the Ripper, is that we already know history has yet to deliver up a perpetrator. Many suspects have been put forward over the years, but none have proved conclusive. So when filmmakers set about documenting the life of the East End’s most notorious son, they often let their imagination get the better of them, and we invariably end up with a fantasy film with little grasp or adherence to the known facts.

Jack The Ripper Mini-Series

Michael Caine and Jane Seymour in ‘Jack the Ripper’ Mini-series

Happily, this was not the case in the Jack the Ripper mini-series produced in 1988 by director and producer David Wickes. Although the series itself still had a number of historical flaws (just see the busy London street scene complete with horse drawn omnibus which gives an extremely sanitised view of a street of the time – they were normally ankle deep in horse droppings!) Wickes tried to stick to the case facts and reproduce the murder scenes as accurately as possible.

The film stars Michael Caine in the role of Inspector Frederick Abberline (a cockney in the starring role – albeit from the wrong side of the river!) who is assigned the unfolding series of Whitechapel Murders in 1888. His co-worker and co-star in the film is Sergeant George Godley played by the late Lewis Collins, and the cast are ably assisted by Susan George and Lysette Anthony who play the doomed prostitutes Katherine Eddowes and Mary Jane Kelly. Jane Seymour plays a talented artist, Emma Prentiss and the actor Armand Assante plays the famous American actor Richard Mansfield (and who excels himself in his nightly portrayal of the eponymous Doctor Jekyll and Mr Hyde on stage, transforming himself in front of a terrified audience).

Before the film was broadcast, David Wickes claimed that he had been given exclusive access to the files and documentation of the Jack the Ripper case from Scotland Yard, and that his film would reveal the true identity of Jack the Ripper for the first time. Wickes was challenged over the claim and had to withdraw his statement, but has gone a long way to present a convincing case. A number of red herrings are thrown into the plot with suspects ranging from Richard Mansfield himself to Prince Albert Victor, the Grandson of Queen Victoria.

jack-the-ripper-1988--Michael-Caine-and-Lewis-Collins

Michael Caine and Lewis Collins in ‘Jack the Ripper’ mini-series

Unlike many films today, the Jack the Ripper mini-series does not descend into a gory bloodbath and uses more subtle ways of conveying the terrifying attacks on the prostitutes. Despite this, the viewer is still treated to some fairly harrowing verbal descriptions of the injuries.

So – is it a good film? That will depend on the viewer’s own tastes and preconceptions. Michael Caine does a fine job and the subject matter, although well-known is delivered in a fairly intelligent and non-sensationalistic way.

The film ends with the disclaimer that –

‘In the strange case of Jack the Ripper; there was no trial and no signed confession. In 1888, neither fingerprinting nor blood typing was in use and no conclusive forensic, documentary or eye-witness testimony was available. Thus, positive proof of The Ripper’s identity is not available.

We have come to our conclusions after careful study and painstaking deduction. Other researchers, criminologists and writers may take a different view. We believe our conclusions to be true.’

Bethnal-Green-Tube-Disaster-Header
The residents of Bethnal Green in the East End of London had become used to the ‘crump, crump, crump’ of the bombs being dropped on the capital by the Luftwaffe. The Blitz had been almost continuous during the winter of 1940 / 41 – indeed the city had once been hit for 57 consecutive nights, but now, as winter began to give way to spring in March 1943, things seemed to be a bit quieter. However, the population was on its guard, as the RAF had bombed Berlin a couple of nights before, and it was well known that Germany often responded with reprisal bombings soon afterwards…

The East End of London had been a target for German Bombing campaigns for a long time, in an attempt to disrupt the flow of materials and goods through the crucially important London Docks. As a result, people were becoming familiar with the air raid sirens and bombing raids that seemed to form a constant part of their everyday lives.

Bethnal-Green-Tube-Disaster-Station-Entrance

Bethnal Green Tube Station Entrance

Many families had built Anderson or Morrison Shelters in their own back gardens, but these prefabricated huts were often cramped and dark, and had poor ventilation, particularly when filled with a family of five or six people. As a result, many families used to head for the London Underground to sleep in the deep tunnels they provided. A sense of security prevailed, and a great community spirit grew on these excursions below the surface. Life went on, and some stations even boasted libraries.

Much of the Underground had been extended before the war, and new lines and stations were being added all the time. Bethnal Green Station was newly built as the Central Line had been extended from Liverpool Street in 1936. The outbreak of war had prevented further work from being carried out, so the station remained without tracks, but this made it ideal as a safe shelter from the bombing above.

On the evening of Wednesday, 3rd March, 1943, the weather was dreary and wet. London was still in the grips of a black-out, so lighting was limited. The local cinema had just finished its programme for the evening, and people were milling around outside, waiting to catch one of the buses that were still running. Suddenly, at 8.27pm, the air raid siren began its mournful wail, and people began making their way briskly to the entrance of Bethnal Green Tube Station and the safety it represented. A middle aged woman, carrying a bundle and holding a baby was at the head of the group of people descending the 19 steps to the station when she tripped and stumbled. An elderly man following her toppled over her prone body and a horrifying domino effect started to take place. At the same time, a strange and deafening sound filled the air (it turned out to be a secret anti-aircraft rocket battery being tested in the adjacent Victoria Park). People at the top of the stairs panicked and surged forwards, falling over each other, and in the matter of just 15 seconds the poorly lit, damp stairwell measuring just 10ft by 12ft was filled with over 300 people, being crushed to death by the weight of bodies.

Bethnal-Green-Tube-Disaster-Stairs

Bethnal Green Tube Disaster Stairwell

People were quick to rush to help try and extricate the bodies from the crush. An off duty policeman, Thomas Penn tried his best to crawl over the bodies to assist, but he was hampered by the poor light given out by the single 25 watt bulb in the stairwell and fainted twice himself in his attempts.

By the time the bodies were removed from the stairway, 173 people were dead – 27 men, 84 women and perhaps most tragically, 62 children. An additional 62 people were taken to hospital with severe crush injuries.

The bodies were put onto carts and taken to the local mortuary at Whitechapel Hospital, and when that became overwhelmed by the numbers, St John’s, the local church opposite the tube station was used as a temporary resting place.

The government was concerned that the news of the disaster would have such a detrimental effect on morale, that they ordered that the location and precise number of casualties be kept secret, and that reporting the tragedy ‘would give the incident a disproportionate importance, and might encourage the enemy to make further nuisance raids.’

Perhaps the greatest tragedy was that there was no air raid that night, and the dreadful occurrence of the Bethnal Green Tube Disaster has made it infamous as the site of the worst civilian loss of life in World War Two…

Bethnal-Green-Tube-Disaster-Plaque

Bethnal Green Tube Disaster Memorial Plaque

Charles-Jamrach-Header
People in the East End in 1857 were an impassive and stoical lot. The area along St George’s Street, formerly Ratcliffe Highway, was already infamous for the series of ghastly murders that had taken place there 45 years before (more here), but despite its notoriety, the two women peering at the jewellery in the pawnbrokers shop next door to Mr Charles Jamrach’s Menagerie had other things on their minds. Suddenly, one of the women noticed a strange reflection in the shop window, and turned. She stifled a scream and pulled her companion into the shop doorway, as a fully grown Bengal Tiger padded past them, carrying a small boy in its mouth…

Charles Jamrach was born in Hamburg, Germany in March 1815 where his father, Johann Gottlieb Jamrach, was chief of the Hamburg river police. As part of his job, Jamrach Senior would find himself having to board vessels on the busy waterway and he soon built up a reputation amongst the sailors for purchasing any exotic creatures they had brought back with them from their travels. He rapidly established himself as a dealer in birds and wild animals – and set up branches in the great ports of Antwerp and London.

Young Charles was fascinated by the myriad animals, birds and insects in his father’s shop and following his father’s death in 1840, Charles Jamrach moved to take over the London branch of the business, developing the existing premises into a bird shop and museum in St. George Street known as ‘Jamarch’s Animal Emporium’, a menagerie in Bett Street, and a warehouse in Old Gravel Lane, Southwark.

Jamrach's Menagerie

Jamrach’s Menagerie

The business thrived, partly due to Jamrach’s location, close to The London Docks and partly due to his ever expanding customer base – the London Zoological Gardens had been loaned an Elephant which he was confident they would buy, and following a devastating fire at P.T Barnum’s Circus in 1864, it was Jamrach’s Menagerie who was responsible in restocking it with animals.

A Mr John Edward Gray who was keeper of zoology at the British Museum also named a snail that had been forwarded to him by Charles Jamrach Amoria jamrachi in his honour.

A reporter visiting his premises wrote that “The museum includes tropical beetles glorious with shards of green and gold, and tropical butterflies like tropical blossoms, or costliest satin and velvet embroidered with creamy lace, and be-dropt with precious metals and precious stones”…

As one can imagine, Jamrach’s stock varied considerably, dependant as it was on the ships that were docking in London, but a contemporary article of the time shows the extent and prices of the animals on offer.

Zebras – £100 – £150 each
Camels – £20
Giraffes – £40
Ostriches – £80
Polar Bears – £25
Other Bears – £8 – £16
Leopards – £20
Lions – £100
Tigers – £300

On one fateful day in 1857, Charles Jamrach had just taken delivery of a large number of animals which had been brought in on ships arriving in London Docks from their voyage to the East Indies. The animals were taken to the Bett Street repository with Jamrach himself overseeing operations. To ensure that the fully grown Bengal tiger in one crate had no opportunity to maul his workmen, Jamrach instructed that the wooden crate containing the beast was placed with its barred opening facing the wall. However, the strength of the animal had been underestimated – and as another crate containing leopards was being unloaded, Jamrach and the workmen were horrified to hear a crash and to discover that the tiger had pushed out the back of the crate with its hind legs and was now prowling around the yard.

Jamrach and the Tiger

Jamrach and the Tiger

The tiger stalked its way into the street where a curious boy, around nine years of age, reached out to stroke the back of the strange creature that had appeared before him. In an instant, the tiger whirled and gripping the boy’s shoulder in his jaws, ran off down the street in the direction of the docks.

Jamrach dashed after the animal and upon catching up with it, grabbed the tiger by the loose skin of its neck and tried to wrestle it to the ground. He succeeded in tripping it by putting his own leg under the tiger’s hind quarters, but the animal would not relinquish its hold on the now terrified boy. It was not until his workmen arrived and dealt the animal several blows to the head, that the stunned animal finally let go of the child. Shaking itself free, the tiger then turned tail and headed back to the menagerie yard and the relative safety of an empty crate, where it was recaptured.

The event is commemorated by a statue that stands near the entrance to Tobacco Dock today.

The boy was taken to hospital but, astonishingly, found to be virtually unharmed save for a severe fright and a few scratches. Jamrach offered the boy’s father compensation of £50, but the father rejected the money and decided to bring a court action against him for damages.

At the trial the judge sympathised with Jamrach, saying that, instead of being made to pay, he ought to have been rewarded for saving the life of the boy, and perhaps that of a lot of other people.

Jamrach-Statue

The Boy and The Tiger Statue, Tobacco Dock

The judge, however, had to administer the law as he found it, and reminded Jamrach that he was responsible for any dangerous consequences brought about as a result of his business. He suggested, however, as there was not much hurt done to the boy, to put down the damages as low as possible. The court subsequently set a penalty of £300, of which £240 went to the lawyers as costs!

News of the tiger’s escape and notoriety soon got around, and within a few days of the end of the hearing, Jamrach was able to sell the animal to a Mr Edmonds, of Wombwell’s Menagerie for £300.

Charles Jamrach died in Bow on 6 September 1891, leaving two sons, Albert and William. The business continued for some time, but began running into difficulties during the First World War, and after his son Albert died in 1917, the firm finally closed its doors in 1919.

The final words are from an article written by a journalist in 1879 who had been invited to visit Jamrach’s Menagerie and who wrote “I have nothing further to state, except to assure my readers of naturalist tastes that, for whatever they want, from a hippopotamus to a humming-bird, Jamrach’s is the very place to go to”.

Wainwright-Header
The men and women of the East End were well used to bad smells. The noisome vapours of the tanneries (who frequently used dog turds in their preparation of the tanned hides) hung around Spitalfields like an invisible fog, but as summer turned into the autumn of 1875, people passing Henry Wainwright’s warehouse and packing depot at 215 Whitechapel Road wrinkled their noses at the appalling stench that emanated from his premises. What was that god-awful smell? Appalled Londoners were soon to find out…

37 year old Henry Wainwright appeared to be a highly respectable, hard-working businessman who had inherited his family’s brush-making business at 84 Whitechapel Road, in the East End of London.

Henry Wainwright

Henry Wainwright

As well as being a successful manufacturer and warehouse owner, Henry was a temperance lecturer, living with his wife and four children in a comfortable house in Tredegar Square. But Henry Wainwright was not all he appeared to be on the surface. Despite his apparent comfortable home life, Henry had a more complicated side.

Henry Wainwright had met a young, attractive 20-year-old milliner’s apprentice called Harriet Lane in 1871. Totally infatuated, he set up a home for her as his mistress in a property at 70 St Peter Street, Mile End, where Harriet took to calling herself ‘Mrs Percy King’. Over the course of the next two years, the love-struck pair had a couple of children. However, the financial cost of trying to run the two homes was playing havoc with Henry’s financial situation.

He tried moving Harriet and the two children to cheaper accommodation in Sidney Square, but this did little to alleviate the problem, and Henry Wainwright found himself moving ever closer to bankruptcy. By 1874 his business was starting to founder, and his debts were mounting.

To compound the problem, Harriet liked to drink, becoming loud and demanding when she had had a few too many. She was continually demanding additional money from Henry to help support his two illegitimate children, and eventually she began to threaten to expose their affair to his wife if he did not increase payments.

Harriet Lane

Harriet Lane

In desperation, Henry began to hatch a plan and turned to his brother, Thomas, for assistance. Without divulging his eventual intentions he asked Thomas to pretend to woo Harriet through a series of written letters, which Thomas duly did, using the pseudonym Edward Frieake.

At 4pm on Friday 11th September 1874, an excited Harriet arranged for a couple of friends to look after her children and she left the property in Sidney Square. Wearing a grey dress (with new shiny black buttons she had sewn on that morning), a black bonnet, and a black cape trimmed with lace and velvet, she carried a new umbrella and had her night clothes wrapped in a neat parcel. From then on, all communication with her friends ceased, and she appeared to vanish into thin air.

Later that day, a small group of men working outside Henry Wainwright’s warehouse at 215 Whitechapel Road heard what they thought to be three gunshots. A cursory examination of the immediate area failed to discover the cause, and they continued with their work…

When the friends expressed concern over Harriet’s disappearance, Henry Wainwright stated that he had given Harriet 15 Shillings and informed them that to the best of his knowledge, she had travelled to Brighton. Shortly afterwards, the friends received a letter from ‘Edward Frieake’ explaining that he had asked the young Harriet to marry him and they were going to Paris to live together…

Twelve months passed, but despite Harriet’s disappearance, Henry Wainwright’s financial situation continued to cause him problems. Finally, he made the fateful decision to sell the warehouse at 215 Whitechapel Road, where passers-by had started to notice the obnoxious odours.

On September 11th 1875, Wainwright went to the warehouse and used a spade to loosen the earth on a shallow grave that had been dug just below the floorboards. He had used lime chloride in an attempt to cover the foul stench of the rotting human remains he had buried there almost exactly one year ago. Using a small hatchet, he proceeded to dismember the decomposing body and wrapped the pieces into two heavy parcels, covered in black American cloth and tied with rope.

Henry Wainwright Newspaper Clipping

A Newspaper Clipping detailing the Henry Wainwright Murder

Wainwright then enlisted the help of an unsuspecting employee, Alfred Stokes, who he asked to help him move the two parcels. Stokes agreed, but was unable to contain his disgust at the two heavy, foul smelling packages Wainwright produced. Stokes was told to wait with the parcels while Wainwright went for a cab. While he was away Stokes stole a peek inside the largest parcel. As he opened it, the first thing he saw was a human head, and then a hand which had been cut off at the wrist. Appalled, he quickly repacked the parcel and waited until Wainwright returned.

Wainwright put the two parcels into the cab, instructed Stokes that he would see him later that evening, and departed. Stokes pursued the cab on foot until he saw two police constables by Leadenhall Street—He drew their attention to the cab, begging them to stop it, but they laughed at him and said, “Man, you must be mad”.

Stokes continued to run after the cab as it turned over London Bridge, eventually stopping outside the Hen & Chickens. He alerted two other police constables; PCs Turner and Cox, No. 48 and No. 290 and said “For God’s sake run after the man with the high hat with the parcels in his hand, there is something wrong.” This time, the two constables took Stokes’ protestations at face value, and as he left the cab, they accosted Wainwright.

As PC Turner reached for one of the packages Henry Wainwright said “Don’t open it, policeman, pray don’t look at it, whatever you do don’t touch it”. The policeman pulled the cloth package open and discovered that it contained part of the remains of a human body. As Cox went to get the cab, Wainwright attempted to bribe the police constable saying, “I will give you 100 shillings, I will give you 200 shillings and produce the money in twenty minutes if you will let me go“.

Henry Wainwright was subsequently charged with murder, and the police also tracked down and arrested his brother, Thomas. A search of the warehouse at 214 Whitechapel Road revealed the site of the shallow grave and patches of what appeared to be old blood.

In his testimony to the police, Alfred Stokes suggested that the body in the parcels was that of the missing Harriet Lane. Harriet’s family identified the body, although the features were largely unrecognizable. Shiny black buttons on the clothing matched those sewn on by Harriet the day she had left Sidney Square and some jewellery found in the warehouse grave was thought to have belonged to her. The victim had been shot in the head with a small calibre pistol, and the throat cut afterwards. Henry Wainwright was known to possess a gun of a type consistent with the murder weapon.

At his trial at the Old Bailey in November 1875, Henry Wainwright claimed that he had no idea what the parcels contained. His flimsy defence was that he had been asked by a mystery man to take the parcels from the warehouse for a sum of money. The jury deliberated, found Wainwright guilty and he was duly hanged on 21st December, 1875, at Newgate Gaol. His brother, Thomas Wainwright, was sentenced to seven years penal servitude as an accessory after the fact.

The discovery of Harriet Lane's Body

The discovery of Harriet Lane’s dismembered Body

Doctor-Barnardo-Header
Almost everyone has heard of the name ‘Doctor Barnardo’, yet very few people actually know a great deal about the man and his work. Most people are aware of his involvement with the ‘Ragged Schools’ starting with his first in Hope Place, Limehouse in the East End of London.

Thomas Barnardo was born in Dublin, Ireland, in 1845, the son of John Barnardo, and his wife, Abigail. He was one of 5 children (sadly one sibling died during childbirth). A devoutly religious man, and a member of the Plymouth Brethren, it was the young Thomas Barnardo’s initial wish to devote himself to evangelical Christian work in China.

Doctor Barnardo

Thomas Barnardo

With the help of his friends in Dublin he registered as a medical student in the prestigious London Hospital, and moved to the East End of London in 1866, settling into lodgings at 30 Coburn Street, Stepney – although he does not appear to have begun his studies until 1867.

Whilst he may have studied at the London Hospital, he never actually completed the course to earn his doctorate there. (Although he was widely and universally known as ‘Doctor’ Barnardo throughout his life, he never actually qualified as a doctor until he completed his studies and became a Licentiate and Fellow of The Royal College of Surgeons of Edinburgh on 31st March 1876).

A few short months after he arrived in Stepney, an outbreak of cholera swept through the East End, which killed over three thousand people, and which left most families destitute and fragmented. At that time, London was a capital city that was struggling to cope with the effects of the Industrial Revolution. The population had increased by a huge amount and much of this increase was concentrated in the East End, where overcrowding, bad housing, unemployment, poverty and disease were already well established. Thousands of children ended up having to sleep on the streets and many others were forced to beg after being maimed in factories. (see The Match Girls)

Barnardo's-Stepney

Barnardo’s first Boys Home

Appalled by the situation Barnardo set up a Mission in Hope Place, Stepney, where poor children could get a basic education. On one particular occasion a young boy at the Mission, named Jim Jarvis, recounted a tale that Barnardo subsequently recorded in his book ‘Night and Day’…

One evening, the attendants at the Ragged School had met as usual, and at about half past nine o’clock, were separating to their homes. A little lad, whom we had noticed listening very attentively during the evening, was amongst the last to leave, and his steps were slow and unwilling.

‘Come, my lad, had you better get home? It’s very late. Mother will be coming for you.’
‘Please sir, let me stop! Please let me stay. I won’t do no harm’.
‘Your mother will wonder what kept you so late.’
‘I ain’t got no mother.’
‘Haven’t got a mother, boy? Where do you live?’
‘Don’t live nowhere.’
‘Well, but where did you sleep last night?’
‘Down in Whitechapel, sir, along the Haymarket in one of them carts as is filled with hay; and I met a chap and he telled me to come here to school, as perhaps you’d let me lie near the fire all night.’

Jim Jarvis took Thomas Barnardo around the Petticoat Lane area of the East End showing him children sleeping on roofs and in gutters. The experience affected Barnardo so deeply, that he decided to devote himself to helping destitute children.

He regularly went on forays into the slum district to find destitute boys, and was attacked and beaten on a number of occasions, suffering two broken ribs on one visit. Finally, in 1870, Barnardo opened his first ‘Ragged School for Boys’ at 18 Stepney Causeway, in the East End. Spaces in the school were limited, and on one evening, an 11-year old boy, named John Somers (who was nicknamed ‘Carrots’) was turned away because the shelter was full. He was found dead two days later from malnutrition and exposure. Barnardo was appalled and from then on the boys’ home bore a sign reading – ‘No Destitute Child Ever Refused Admission’.

Barnardo's Sign

Barnardo’s Sign

Eventually, Doctor Barnardo bought up a dozen properties in and around the East End, together with his Girls’ Village Home in Barkingside, which comprised a collection of cottages around a green housing 1,500 girls.

By the time a child left Barnardo’s they were able to make their own way in the world – the girls had been equipped with domestic skills and the boys had been taught a craft or trade.

As he approached his fiftieth birthday, Thomas Barnardo’s health was ailing as his workload began to take its toll. It became apparent that he had some sort of heart complaint – and he was instructed to take a period of absolute rest. However, he felt that he still had so much to do, and began working again at the same pace as before. By 1903, Barnardo was in significant difficulties and despite a number of periods of convalescence he died on 19th September, 1905

From the foundation of the first Barnardo’s home in 1870 to the date of Barnardo’s death, nearly 100,000 children had been rescued, trained and given a better life.

Much of Barnardo’s work and an example of just what a Ragged (or Free) school was like can be experienced by visiting the Ragged School Museum – housed in three canalside properties in Copperfield Road, E3.

Match Girls
Social deprivation was nothing new in the East End of London in the mid 1800’s, but it would be hard to imagine nowadays the plight of the Match Girls at Bryant and May’s factory in Worship Street, Bow.

William Bryant and Francis May (who were both Quakers) had originally imported red-phosphorus based safety matches from John Edvard Lundström, in Sweden, in 1850. However, as demand increased Bryant and May bought Lundström’s UK patent, building their new safety match factory in Bow.

They continued to use red phosphorus throughout 1855, but the product was much more expensive than the alternative – white phosphorus-based matches. Bryant and May found a ready solution in the East End – and began the use of child labour. At its height, the factory was to employ around 3000 East End children, predominantly girls.

The match girls, some as young as 13, worked from 6.30am until 7pm, with just two breaks, standing all the time, often eating any lunch at their workbenches, breathing fumes as they dined. In the factory, those girls known as “mixers,” “dippers,” and “boxers” were most exposed to the heated fumes containing this compound.

Phossy Jaw

Phosphorus Necrosis or ‘Phossy Jaw’

However, the long hours were often just the start of the match girls’ misery. Many were struck down with a terrible disease – phosphorus necrosis – known by the colloquial term of ‘Phossy Jaw’. Those girls who suffered with phossy jaw would begin experiencing agonising toothaches and a swelling of the gums. Over a period of time, the jaw bone would begin to abscess.

The bones of the jaw would start to glow a greenish-white colour in the dark, and the decaying bone tissue would eventually rot away. The accompanying open wounds would run, giving off a foul-smelling discharge. Finally, in its advanced stages, the disease would lead to serious brain damage and death.

The exploitation of the girls came to the attention of a journalist and social activist called Annie Besant, together with her friend Herbert Burrows, who, following the disclosure that Bryant and May’s shareholders were receiving dividends of 20%, whist the girls were paid around 4 – 8 shillings a week (20 – 40p), published an article in her weekly paper ‘The Link’ on 23rd June 1888.

Annie Besant

Annie Besant

After questioning several of the young girls at the factory, her shocking article likened the Bow factory to a “prison-house” and described the match girls as “white wage slaves” – “undersized”, “helpless” and “oppressed”.

She wrote – “Do you know that girls are used to carrying boxes on their heads until the hair is rubbed off and the young heads are bald at fifteen years of age? Country clergymen with shares in Bryant and May’s, draw down on your knee your fifteen year old daughter; pass your hand tenderly over the silky beauty of the black, shining tresses”.

Bryant and May reacted angrily to the accusations and tried to insist that each member of their workforce sign a prepared declaration contradicting the article. The girls refused and as a result, one of their number was dismissed on what was seen to be a spurious and made up charge.

By the end of that day – around half of the workforce, some 1500 women and girls – refused to work. Whilst the management attempted to backpedal and reinstate the sacked worker, the girls demanded other changes to their working conditions, particularly in relation to the unfair fines which were deducted from their wages.

By the 6th July 1888, the entire factory stopped work and a group of around 200 girls descended on the Fleet Street offices of Annie Besant and her newspaper. Annie Besant’s initial reaction was one of shock and dismay that so many of the women and girls were now effectively out of work with little or no means of support.

Phossy-Jaw-Headline

A newspaper cutting highlighting the issues

She helped the girls to coordinate a strike fund, and a number of other newspapers collected donations from readers. Prominent members of the Fabian Society including George Bernard Shaw, Sidney Webb and Graham Wallas became involved in the distribution of the cash collected.

The Member of Parliament, Charles Bradlaugh, spoke in the house on behalf of the girls’ plight, and a number of the match-girls travelled to the House of Commons to meet a group of MPs and increase the publicity and pressure on Bryant and May.

Finally, the factory owner William Bryant, concerned about the poor publicity, formulated a meeting on the 16th July 1888 where it was agreed that a number of the girls’ grievances, such as fines, unfair deductions and penalties and the creation of a separate dining area where meals could be taken without the danger of contamination from the phosphorus, would be met.

Besant and others continued to campaign against the use of white phosphorus in matches, and in an effort to try and combat the situation, the Salvation Army opened up its own match factory in the Bow district, using less toxic red phosphorus and paying better wages. However, the continued high cost of red phosphorus compared to white phosphorus caused its downfall and The Salvation Army match factory finally closed, ironically being taken over by Bryant and May, on 26 November 1901.

Bryant-and-May-Factory

The Bryant and May factory in Bow

Opium Den in Limehouse
The area around Limehouse has long been associated with the original London ‘Chinatown’- and with it, the first and much exaggerated home of the East End opium dens. Limehouse was an established slum in the middle of the nineteenth century, and with its narrow buildings and foggy streets, it had a reputation for its sordid pubs, brothels, and opium dens. To an East Londoner or a visiting sailor, it was foreign enough for them to be able throw off the rigid manners of Victorian Britain.

In the East End, opium dens were usually associated with the Chinese, because it was invariably the Chinese who supplied the opium in the first place, as well as preparing it for visiting non-Chinese smokers. Chinese seamen who found themselves stranded in London were allowed to work in the East London docks with a large number involved in unloading China tea.

Originally, many of these Chinese sailors found lodgings at the ‘Oriental Quarters’ alongside the River Thames at Shadwell (very close to the present day location of Wapping Underground Station). These ‘Oriental Quarters’ were frequently run by English women who were able to speak Oriental languages, and who often went by names such as ‘Canton Kitty’ or ‘Chinese Emma’. Of these, ‘Chinese Emma’ was well known for running a Chinese gambling house, where card games would be played in the rooms downstairs whilst the first floor served as an opium den.

An East End Opium Den

An East End Opium Den

Most opium dens kept a supply of opium equipment, such as specialized pipes and lamps that were necessary to smoke the drug. The opium den customers would recline on beds and makeshift benches in order to hold the long opium pipes over oil lamps. In that way, the pipes would warm and that in turn would heat the drug until it vaporized, allowing the smoker to inhale the vapours.

However, it would appear that the reputation of Victorian London as a centre of opium smoking is rather unjustified and owes more to popular literary fiction of the time than actual historical fact.

The London press, along with popular British authors of the day, such as Arthur Conan Doyle and Charles Dickens succumbed to using London’s Limehouse district as a focal point for the opium-drenched exploits of their heroes and heroines. The books The Man with the Twisted Lip’ and The Picture of Dorian Gray both make reference to the opium dens in the East End, but there is little evidence to support the illusion that so many dens existed.

London’s Chinatown soon developed a reputation for opium-induced sordidness and debauchery – yet it would appear that the sole intent of this reputation was to titillate and shock British readers.

Gin Craze
It can hardly be overstated just how serious the effects of cheap alcohol and in particular, Gin, had on the East End of London. London was hit by what social historians call ‘The Gin Craze’ during the Eighteenth Century, and it was to spawn so many of the social problems we associate with the over-crowded, slum-ridden East End.

Gin was originally created in Holland, and only became a popular drink in England when Dutch-born William of Orange took the English throne in 1688. Distillation had been widespread throughout Europe in the Middle Ages, but it was fairly uncommon in England, compared to beer and ale production. However, in 1689, Parliament banned imports of French wines and spirits and at the same time it lifted the restrictions on spirit production in Britain. As a result, anyone who could pay the required duties could set up a distillery business. Distillers became not only producers, but also sellers and the cost of gin fell below the cost of beer and ale. Gin rapidly became the favourite alcoholic drink among the ‘inferior classes’.

For a few pennies, the poor of East London found a way of escaping from the cold, hunger and grinding poverty of their lives, by drinking their woes away. It was estimated that the average Londoner drank a staggering 112 pints of Gin a year – that is a pint of raw spirit every three days. It was estimated that by 1750, over 7 million gallons of Gin was being drunk a year compared to around 3 million gallons of ale…

Gin sellers would roam the streets pushing carts filled with cheap gin, and seedy gin shops would advertise: “Drunk for one penny, dead drunk for two, clean straw for nothing.” The straw was used to lie on while sleeping off a hangover.

Women, in particular, seemed to favour gin and often purchased it from Chemists as a medicinal drink. It was often mixed with warm water to ‘soothe the nerves’ and became known as Mother’s Ruin.

The effects were devastating. Gin was blamed for misery, rising crime, prostitution, madness, high death rates and falling birth rates. The Vice-Chamberlain of the time, Lord Hervey, commented that, “Drunkenness of the common people was universal, the whole town of London swarmed with drunken people from morning till night.”

In one notorious case, a woman named Judith Dufour collected her two-year-old child from the workhouse, strangled him, dumped the body in a ditch and sold the child’s new set of clothes for 1s and 4d to buy gin.

Gin Lane

‘Gin Lane’ by Hogarth

 

Finally, the government was forced to act. In 1729, they imposed an excise licence of £20 and levied a duty of two shillings per gallon. This almost suppressed the manufacture of good quality gin, but led to a greater increase in illegal distilling and the quantity of bad quality spirits being consumed continued to rise. In London, this led to a decline in the population, as people were literally drinking themselves to death.

As demands that something be done about the appalling situation grew in fervour, the Government introduced the 1736 Gin Act. This taxed retail sales at One Pound (20 shillings) a gallon and made selling gin without a £50 annual licence illegal. However, as a direct result, over the next seven years, only two licences were applied for and issued. Reputable sellers of Gin were put out of business, but bootleggers continued to thrive without control. The bootleggers’ gin, given such colourful names as ‘Ladies Delight’ and ‘Cuckold’s Comfort’, was often flavoured with turpentine rather than juniper, and in some cases was poisonous. There were even instances of it containing appalling ingredients such as sulphuric acid.

In 1751, the artist William Hogarth published his satirical print ‘Gin Lane’, (see picture) which depicts such disturbing scenes as a gin-crazed mother, legs covered in syphilitic sores, unwittingly dropping her baby to its death down some cellar stairs while she takes a pinch of snuff.

Fuelled by such powerful propaganda, the 1751 Gin Act was passed. This was finally more successful, as it served to lower the distillation licence fee and forced distillers to sell only to licensed retailers trading from respectable premises. A series of poor harvests caused a rise in food prices and a decline in wages, so the poor were less able to afford the spirit and by 1757, the Gin Craze was all but over…